The Rest Of The World Gets Lost In A Fog

I’ve always wanted to write a post on Curt Boettcher, the California producer/arranger/songwriter who was a major force behind the mold of music known as “sunshine pop.” His productions garnered the respect of surf producer Gary Usher and frequent collaborator Brian Wilson. Wilson, apparently, was so awed by Boettcher’s production capabilities that he avoided running into him in the studio. Usher has noted that Boettcher was “light years” ahead of Wilson in terms of technical prowess. 

Boettcher is perhaps most famous for producing The Association’s “Along Comes Mary” for their debut album. The complex arrangement and harmonies showcased Boettcher at his best, but for whatever reason, Boettcher didn’t get to ride The Association wave; he went on to produce smaller acts, and his own studio-created bands, which never achieved great commercial success. 

Here’s an unchronological grab bag of Boettcher productions, spanning from 1966-76: 

This song is a favorite off their debut album. Cool flute solo and weird carousel spinning-off-its-center outro.

Round Again- The Association

 

Here’s a pretty little instrumental from Sagittarius, of which Boettcher was also a member. There’s also a vocal version of the song by Harry Nilsson, who was kicking around L.A. at the same time.  A quiet little song about a nun battling her carnal desires. 

Sister Marie- Sagittarius

Sister Marie- Harry Nilsson

 

Michele O’Malley and Boettcher had worked together previously for the band The Ballroom, and here she reprises several of their tunes. For most songs Michele sings like a little girl lost. It’s a disturbing quality. This is a truly weird album, practically unbearable to listen to except for this song, which Curt later reprised in the early 70s. 

Misty Mirage- Michele

Misty Mirage- Curt Boettcher

 

Don’t know much about Gordon Alexander, but this is a Boettcher production with his usual suspects in the band. All the songs are a bit trippy in the lyrics department. This one is the least cliched, and again, I dig the use of weird flute. 

Looking For The Sun

 

In 1976, under the moniker California Music, Boettcher recorded “California Music.” This is a real jam, co-produced by Gary Usher and Terry Melcher. Like Usher, Melcher was instrumental in forging the success of several bands, such as The Byrds (he produced their second hit “Turn Turn Turn”). He was also the son of Doris Day.

It seems everyone in the music scene at that time was only a few degrees from Charles Manson. Here’s Terry Melcher’s Manson connection: It was Melcher’s Hollywood house, which he shared with girlfriend Candace Bergen, that was rented to Roman Polanski and Sharon Tate.  Melcher, through his association with Dennis Wilson (who had befriended and was recording music with Charles Manson), had declined to sign Manson’s band, which enraged Charlie. It is often assumed that either Melcher was targeted to be murdered by the Manson family when they visited the Polanski household, or that the murders were to shake him up. Indeed, Melcher was shaken up by the events and remained in seclusion for sometime afterwards. 

California Music- California Music

 

Perhaps the crowning achievement in Boettcher’s career was Begin by The Millenium (again, the group was comprised of Boettcher and his associates, including guitarist Doug Dillard). At the time, this was the most expensive record that Capitol had ever produced. The album didn’t sell, which might have been a death-knell for Boettcher in terms of expensive productions. As they were a studio group, they didn’t really bother to tour, which was also detrimental to sales.

Prelude- The Millenium

To Claudia On Thursday- The Millenium

 

Misty Mirage is a compilation of Boettcher’s work, including some ad work he did. Here’s Boettcher trying to sell some Stretch Levi’s. 

Stretch Levi’s- Curt Boettcher

I feel like ad agencies really took some chances with their choice of music for spots. Listen to Van Dyke Parks busking for Datsun. 

Datsun Car Commercial- Van Dyke Parks

 

 

I can’t end this post without Tommy Roe’s “Sweet Pea,” a song that’s hard to not like. While Boettcher was not credited with producing this record, he swore that he had. It seems production and songwriting credits were pretty murky back then. Anyway, sounds like Boettcher, must be Boettcher. This song is considered one of the first hits of the “bubblegum” genre.

Sweet Pea- Tommy Roe

 

Boettcher died in 1987 in Los Angeles. All the biographies I’ve read say he died of a lung infection. I remember reading somewhere once that he died of AIDS, which seems highly possible considering his youth and the fact that he was a gay man at a time when the disease struck such a giant swath of the gay community. Total bummer, this dude was awesome.